Art at 801


801 Lofts presents art openings three times a year. The three-story atrium and public space is a gallery, Art at 801, to local and national artists who display their work on an ongoing basis.

Art and artisans change every four months to display new talent and media. Gallery openings offer residents and the association a chance to open their doors to friends, family and others who want to support our local art community.







Art at 801 Gallery presents artists 

Nicole Houff, Aaron Wittkamper and Philip Noyed

Opening reception Saturday, October 14th, 2017, 6pm to 9pm 

Music by Hope Dunbar   


Nicole Houff

Nicole is a Minneapolis photographer with a mild obsession with Barbie and Ken. Influenced by imagery from the 50s and 60s, she creates scenes with the dolls that have a sense of whimsy mixed with a little sarcasm.


Aaron Wittkamper

Aaron has an ongoing exploration into the notion of reality as an entanglement of multi-nodal viewpoints. These paintings describe a duality of the infinite collective versus the specter of unique individuality. The abstract characters embody the initial vestiges of a describable being, fading in and out of the eternal moment we refer to as reality.


Philip Noyed

Philip creates luminous art that explores light, color and space in two and three dimensions. His Geometric Illumination series is based on a reinterpretation of photography using holographic rainbow vinyl to create shimmering rainbow colored surfaces on Geometric Mobiles, Geometric Abstraction 3-D Paintings complete with 3-D glasses to maximize the 3-D viewing experience, Sign and Cosign Sculptures to create a large-scale installation.


Show runs through January 2018


Art at 801 Gallery, in 801 Lofts, promotes art to neighborhood residents and art lovers thru periodic openings, gallery style presentations, exclusive access to private showings and artist talks.

Art at 801 Gallery
801 Washington Lofts
801 Washington Avenue North, Minneapolis

We are on Facebook: Art at 801 Gallery Opening
October 14, 2017

Jan Elftmann